To believe in Europe still. To start a construction site. To walk the dead. « Daily I search, now here, now there my wandering takes me. »

When leading Congolese playwright Dieudonné Niangouna meets late Sony Labou Tansi, he builds him a mausoleum and speaks dictatorship and torture.

Peter Campus’ video ergo sum exhibition is a reflection on the impossibility of being simultaneously the subject and the product of the thinking subject.

A wind of arid and dry beauty is blowing over Chaillot. Saburo Teshigawara is back to the Palais with an in situ creation: Flexible Silence.

Of picturesque Greece which appeals to the artistic and intellectual class in Paris, Eli Lotar photographs an urchin in the palm of sculptor Tombros’s hand.

We were familiar with On Modern Art. We had seen the sketches. The document resource work achieved by the Paul Klee Center in Bern is remarkable.

For this futuristic trip, Canadian artist Amy Brener took with her the mere objects of everyday life. Her show, Invisiblers, happens now in Pact Gallery.

The piece is well known. Yet each time it’s a shock. In BiT by Maguy Marin, hope and hopelessness are one, and lay inside the other(s).

Audrey Azoulay (French Minister of Culture) announces creation of a “label” for puppeteering. which shall be granted upon schools and institutions.