Claire Vivianne Sobottke portant la robe cheveux dans Until our hearts stop de Meg Stuart - illustration Arasao

Meg Stuart’s ode to the skin

Until our hearts stop by Meg Stuart has been built on touch and contact. Six performers to touch, smell, and taste the...

Le jour de la bête, live sketching, Araso

A collective pleasure

It seems natural that Aina Alegre would build her piece around hearth, «this place where the fire burns». A...

Kaori Ito Hiroshi Ito by Araso

Time is art’s raw material

Kaori Ito creates with her father Hiroshi Ito a memory of bodies, words recorded on tapes, giving to the notion of time...

Christian Rizzo, Le Syndrôme Ian, illustration Araso

Trance therapy

14 year-old Christian Rizzo awakes in London to the sound of David Bowie like others come to a spiritual awakening...

Peeping Tom: in Mother’s name

There always comes a time in life when parents and children switch roles. In Moeder, several generations and their...

Karin Viard’s humanity lesson

We all have known at least one Vera. We might even have been in her shoes for a while. Although she is an archetype,...

Twerk: Josephine Baker’s secret children

Since her Danse Sauvage, Josephine Baker has continued to inspire others. The backside muscles duo in Twerk is the...

Illustrations © Araso

Amala Dianor’s happy medium

Short after Man Rec, Amala Dianor danced his choreography for a trio Quelque part au milieu de l’infini, thus...

Basquiat meets SAMO, the thousand-faced legend

Laëtitia Guédon presents SAMO, a masterpiece in terms of creativity and esthetics, brilliantly suited for...