Welcome to Woodstock au Comedia illustration Araso

Welcome to Paris’ Woodstock

It’s often whilst treating ourselves with a little happiness we come to stumble upon a hidden gem. And so it...

Wim Vandekeybus brings out the beasts

Let’s imagine for a minute someone spending their life closed up and motionless in the corner of a room. Wim...

Raymond Hoghe remembers: the solitary walker’s chronicles

After he made us waltz last September in Beaubourg with the Festival d’Automne à Paris, Raimund Hoghe...

Israel Galvàn, FLA.CO.MEN, Araso

FLA.CO.MEN, Israel Galván’s breathtaking breakaway

Israel Galván’s childhood memories are populated by a taste for salt and the music of heels clacking....

Daniel Larrieu’s Pierrot is in black

Littéral by Daniel Larrieu is an infinitely poetical piece. It releases a sweetly dated, regressive perfume that...

The apocalypse according to Hofesh Shechter

One can argue that Hofesh Shechter doesn’t renew himself much, but his Grand Finale unveils precious moments of...

Ali Charhour’s ballet of shadows

Somewhere between dream, death, femininity and poetry, May he rise and smell the fragrance by Lebanese prodigy Ali...

Nicht Schlafen: Alain Platel’s plea for the 21st century

Nicht Schlafen plays with all of Alain Platel’s codes. Those caravagesque images, flamboyant bodies, tribal...

Claire Vivianne Sobottke portant la robe cheveux dans Until our hearts stop de Meg Stuart - illustration Arasao

Meg Stuart’s ode to the skin

Until our hearts stop by Meg Stuart has been built on touch and contact. Six performers to touch, smell, and taste the...